By E. Patrick Johnson
Johnson appears at a number of websites of played blackness, together with Marlon Riggs’s influential documentary Black Is . . . Black Ain’t and comedic workouts by way of Eddie Murphy, David Alan Grier, and Damon Wayans. He analyzes nationalist writings by means of Amiri Baraka and Eldridge Cleaver, the vernacular of black homosexual tradition, an oral historical past of his grandmother’s event as a family employee within the South, gospel tune as played by means of a white Australian choir, and pedagogy in a functionality stories lecture room. by means of exploring the divergent goals and results of those performances—ranging from resisting racism, sexism, and homophobia to with the exception of sexual dissidents from the black community—Johnson deftly analyzes the a number of significations of blackness and their myriad political implications. His reflexive account considers his personal complicity, as ethnographer and instructor, in authenticating narratives of blackness.
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Additional resources for Appropriating Blackness: Performance and the Politics of Authenticity
Appropriating Blackness: Performance and the Politics of Authenticity by E. Patrick Johnson